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does the works
SaaS & Automation
7 min read
Our verdict

Bento Workflow Automation

Best for: Pitch-for-pitch, doing it yourself by hand probably converts a bit better, because nothing beats a message someone clearly wrote just for you. But you can only write so many of those in a week. Bento cuts the research and follow-up time enough that you can send more pitches overall, which is usually what actually gets you to a steady stream of monthly deals.

Overall score
8.9/ 10
What we liked
  • Cuts most of the contact hunting, the slowest part of pitching by hand
  • Automated follow-ups mean a lead doesn't quietly die because you forgot
  • Replaces the Gmail-plus-LinkedIn-plus-spreadsheet juggle with one tab
  • Lets you realistically send far more pitches a week than you could by hand
What to watch
  • Doing it by hand still wins on how personal that very first message can be
  • It costs money every month, where the spreadsheet-and-Gmail approach costs nothing but your time
Bento vs pitching yourself: does it book more?

Bento vs pitching yourself: does it book more?

Instagram DMs, LinkedIn digging and a spreadsheet against Bento's all-in-one pipeline: time saved, reply rates, and when doing it by hand still wins.

How we pay for this

We buy the hardware and pay for the subscriptions we write about. Claim a deal through our link and we may earn a commission — our readers sometimes get a discount or a freebie out of it too, but it never pushes the price up, and it never changes what the review says.

Bento vs pitching yourself: does it book more?

Anyone trying to make a living from brand deals runs into the same problem: time against volume. Cold outreach converts at a low rate; most creators who track it see a few replies for every hundred pitches, and fewer paid deals than that. If you want two paid deals a month, you're realistically pitching dozens of brands, every month.

How you get through those pitches decides whether your week is mostly admin or mostly making things. Our answer, up front: pitch your five or six dream brands by hand, and run the wider list of decent-fit brands through Bento, which cuts the research and follow-up time per brand from most of an hour to a few minutes. Bento's free plan covers 20 pitches a month, so the comparison costs nothing to test. What it can't do is make a pitch personal; that part stays your job either way.

Doing it manually: roughly an hour per brand

  1. Finding brands: scrolling TikTok or Instagram looking for who's running sponsored content.
  2. Finding the contact: LinkedIn, the company's team page, scanning for "Influencer Marketing Manager" or "Partnerships."
  3. Guessing the email: an email-finder tool, or trying first@brand.com and first.last@brand.com and hoping one lands.
  4. Writing and sending: a custom email in Gmail with your media kit linked.
  5. Logging it: company, contact, date and status in a spreadsheet.
  6. Following up: a calendar reminder four days out, then writing a second email by hand.

Do that for 50 brands and you're looking at something like 25 to 40 hours of admin in a month. That's most of a part-time job, and none of it involves a camera. The step that eats the time is the second and third: finding the right person and their address.

The Bento version: closer to 15 minutes a brand

With Bento, those six steps compress into three, because the contact database, the sending and the follow-ups live in one place.

  • Filter and pick: search the database by niche and country and pull ten brands with a contact already attached. No LinkedIn search, no guessing at an email format. Bento says it holds over a million brand contacts.
  • Personalise and send: Bento drafts a pitch with AI from your profile; replace the generic opening with your own observation about the brand and send it through your connected Gmail account, so it arrives from you rather than from a platform address.
  • Let the follow-up run: Bento sends the next nudge automatically if nobody replies by your chosen day and stops the sequence the moment someone does. Paid plans also show who opened, which tells you which brands are worth a different angle.

The time saved isn't in the sending; writing and hitting send takes the same few minutes either way. It's the research and contact hunting that Bento mostly removes, and that's also the step people skip or rush when they're doing it by hand and running low on patience by brand number thirty.

Side by side

Dimension Manual prospecting Bento
Time per pitch 30 to 60 minutes 10 to 15 minutes
Realistic monthly output 15 to 30 pitches before it wears you out 20 on the free plan; far more on paid plans
Follow-up reliability Depends on whether you remember Automatic, stops on reply
How personal the first email is As personal as you make it Generic unless you rewrite the draft
Cost Free, but your time isn't Free for 20 pitches a month; paid plans reported from about $29 a month

Bento doesn't publish its paid prices on its website; the figures creators report are around $29, $79 and $199 a month for its paid tiers, and the app shows the current numbers when you upgrade.

A month on each, worked through

Take a creator who can give pitching six hours a week. By hand, at roughly 45 minutes per brand including the follow-up, that's about 30 brands a month. With Bento, at roughly 15 minutes per brand once the opening line is rewritten, the same hours cover around 90. If one pitch in 30 becomes a paid deal, close to the 3 to 4 percent Bento's founder has described for the company's own outreach, that's one deal a month against three. At a few hundred dollars a deal, the subscription is the smaller number by a wide margin; the hours are the real cost on both sides.

The catch is the conversion rate. Pitches that go out faster but generic convert worse, and a brand manager who receives the same template from five creators in one week stops reading all of them. That pattern shows up again and again in what Bento users say in reviews. The gain only holds if the extra volume keeps a real first line.

A weekly routine that mixes both

Creators who make this work tend to batch it. Monday, an hour in Bento: filter for ten new brands in your niche and queue pitches with rewritten first lines. Wednesday, an hour on one dream brand by hand: watch their recent content, write the pitch, send it from Gmail. Friday, fifteen minutes in the pipeline: answer replies, move deals forward and note which openings got responses. Three short sessions keep pitching from swallowing the week, and the Friday review is where you learn which angles to reuse.

Where manual pitching still has the edge

None of this makes the manual approach worse across the board. For one or two dream brands you'd give a full afternoon to, the research isn't overhead, it's the point: reading six months of their ad creative, finding the gap in their content and writing something that couldn't be sent to anyone else is what gets a sceptical marketing director to reply. A database surfaces the contact faster but doesn't do that reading for you.

Manual pitching also costs nothing, which matters if you aren't booking any paid deals yet. And a spreadsheet keeps working if you take a month off; a Bento subscription you cancel mid-campaign leaves half-sent sequences with nobody watching them.

So which one should you actually use?

For most people the honest answer is both, split by tier. Give the manual, hour-per-brand treatment to the five or six brands you'd be disappointed to lose, where a generic opening would visibly cheapen the pitch. Run the broader list of forty or fifty decent-fit brands, the ones you pitch mainly to keep the pipeline full, through Bento's database and follow-ups, rewriting each opening line yourself. Start on the free plan's 20 pitches and only upgrade once you can see replies coming in. Once you need a steady flow of paid work, Bento buys back the hours you'd rather spend creating.

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Liam O'Connor

Workplace Software Writer · The Comparer

Used to run people ops at a 40-person startup and got tired of clunky onboarding paperwork. Writes about the tools he wishes he'd had back then.

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